Tashilhunpo Monastery, the seat of the Panchen Lama.

Tashilhunpo Monastery, meaning 'Heap of Glory', is the seat of the Panchen Lama, the second most important spiritual leader of Tibet and was commissioned in 1447 by His Holiness the 1st Dalai Lama, Gyalwa Gendun Drup. The abbots of Tashilhunpo came to be known as Panchen, because of their scholarly reputation. The title Panchen derives from the Sanskrit word Pandita, which means 'scholar', and the Tibetan term Chen Po, which means 'great'.

Tashilhunpo is one of the four great monasteries of Central Tibet and was supervised and looked after by the Dalai Lamas and Panchen Lamas of the Gelugpa (Model of Virtue), or Yellow Hat sect founded by Tsongkhapa in the late-14th Century. Tsongkhapa had wanted to establish an order that was strictly disciplined and scholarly. The Red Hat sect opposed the hegemony of Gelugpa, but the latter emerged as the leading order in Tibet, with the Dalai Lama as its head, and remained the supreme power until 1959.

Tashilhunpo rose to its current prominence after the 5th Dalai Lama declared his teacher - the abbot of Tashilhunpo - to be the manifestation of Amitabha (Buddha of the Western Paradise) and declared that he would continue to be reborn in an unbroken lineage of successors. The abbot was named the Panchen Lama and the lineage of the Panchen Lamas was thereby instituted at the monastery. During the period between the 4th and 6th Panchen Lamas, Tashilhunpo graduated from being Lhasa's political partner to its rival for power and was developed and expanded to a level of architectural grandeur befitting its political, economic and spiritual significance.

The antagonism between the Gelug centers in Lhasa and Shigatse came to a head in a dispute in the 1920's between the 9th Panchen Lama and the 13th Dalai Lama. Tashilhunpo, during this period of political disbanding in China, felt sufficiently strong to refuse the Tibetan central government's demands for tax revenue. As a consequence, the Panchen Lama had to flee to China, where the 10th Panchen Lama likewise spent most of his life. Although the monastery was disbanded in 1960 by the Chinese authorities, it has now been revived with 800 monks studying for the traditional geshe exams.

Amidst whitewashed walls and labyrinthine lanes...

At its height, the labyrinthine Tashilhunpo monastery had over 4,000 monks resident in its four tantric colleges, each headed by its own abbot. It was these four abbots who, after the death of the Panchen Lama, were responsible for the search for his reincarnation.

The monastery’s important relics include a 26-meter golden statue of Maitreya, commissioned in 1914 by the 9th Panchen Lama, in the Chapel of Maitreya located at the complex's northwest corner. It took 999 craftsmen and 300 kilograms of gold to create the effigy which runs 11 metres across the shoulders, has a nose big enough to accommodate a person and is studded with over a hundred semi-precious stones. The edifice to its east contains the funeral stupa of the 10th Panchen Lama who died in 1989 at the age of 51 whilst meditating. His stupa was built in 1990-1993 during which amazingly the corpse’s hair and nails continued to grow. His body was later placed inside the stupa behind his effigy. The Kudhung Lakhang houses the tomb of the 4th Panchen Lama who died in 1662 at the age of 93. The stupa is adorned with more than 85 kilograms of gold and jewels, and is elaborately decorated with silk and brocade hangings and a wall mural depicting 1,000 Buddhas. The remains of the 5th to 9th Panchen Lamas are entombed in a funeral stupa in the fourth hall built during 1984-1988 by the 10th Panchen Lama.

The Thangka Wall sits northeast of the monastery and is 35 meters in height and 40 meters in width. Built in 1468, it was a memorial monument to commemorate the birth, nirvana and initiation into Buddhahood of Sakyamuni. Every year on the 5th month of the Tibetan calendar, gigantic thangkas of the past, present and future Buddhas are displayed on the wall over a period of three days.

Dormitories for the monks precede the entire complex. The general assembly hall is the oldest part of the monastery and contains the throne for the Panchen Lama. Taking 12 years to complete, the hall has 48 pillars and can seat up to 2,000 monks. In the main chapel is a eight meter high statue of Sakyamuni.

Common effigies throughout the monastery include those of Tsongkhapa flanked by the 1st Dalai Lama and 1st Panchen Lama; the three Buddhas comprising of Avalokiteshwara (compassion), Manjushri (knowledge) and the Protective Buddha signifying power grouped together; and Manjushri on his own holding a sword and an image of scriptures on a lotus. Also of interest is the swastika which is used as a Buddhist symbol for good fortune. When portrayed with anticlockwise extensions, it is considered as a Bon symbol. Guardian kings guard Buddhist chapels and are depicted holding the mouse, zither, snake and stupa, and dorje respectively.

...colourful windows and myriad stupas.

I spent much of the day wandering through the monastery, happily clicking away with my camera. Each angle, each view showing something new. Its a completely different world within these walls...

Later in the afternoon I left for the Panchen Lama’s summer residence on the other side of town which was built in 1844 by the 7th Panchen Lama and was added to by the 8th, 9th and 10th Panchen Lamas. The 10th Panchen Lama died in this palace. Two chapels are open to the public. They are the meditation hall where the Panchen Lama used to meditate and hold tantric sermons and the hall where he philosophized. The large audience hall above is a riot of colour and contains a throne covered in white scarves (Kha-btags or Hada). The bright ochre painted walls, the chandeliers, the paintings on the roofs, all exude an emptiness; an aura of a time gone by, a time now forgotten, and never to return.

and on to lhasa...
6 June 2004

Snow capped mountains and long haired yaks line the road to Lhasa.

The journey from Shigatse to Lhasa is the very antithesis of the road earlier taken. Though only a mere few hundred kilometers away, the dirt road in this instance passes through sparkling springs and emerald green fields lining rocky hills which give way to mountain ranges cloaked in ice. The whole landscape is splendidly beautiful. Further on, I pass through snow capped mountains, valleys embossed with white chunks of ice and forest lichen, magnificent black haired yaks grazing but an arms length away, and silver stretches of the Yarlung river. And as I drove higher through the mountains I entered yet another world, this time a land of crystal ice and glittering blue skies. And the mountains then gave way to golden grasslands edged with blue grey peaks.

I met several nomads on the way. You’d look at the hill yonder and think you saw an outcrop of rock, and then in a flash a wide eyed grimy face would be gazing at you in curiosity instead. Taken aback you look once more, only to find those eyes have disappeared again. And at other times I’d find myself surrounded by nomads, tugging at my arms, looking at me with such sincere warmth and feeling. I would in response just empty my backpack. Give them whatever food I had with me. How I wished at such moments that I had more to give to these wanting, yet strangely content souls.

This one day felt like a lifetime. This one journey, a passage through the whole world. Never before had I realized how grand our earth was. Never before had I discovered how beautiful could be the realm that a turn could reveal. Never before had I become so aware of how small our mortal existence was in the bigger picture.

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